This recording consists of a single, large-scale composition for marimba, percussion, and viola; real-time three-dimensional, high-definition, computer-generated sound; and real-time computer notation processing. Composed and engineered by Nathaniel Bartlett.

marimba/computer: Nathaniel Bartlett | percussion: Geoff Brady | viola: Nils Bultmann

Formats: A | B | C | D
Listen | CD-quality excerpts:
ex. 1 (2:36) | ex. 2 (1:52) | ex. 3 (1:34) | ex. 4 (1:40) | ex. 5 (1:02) | ex. 6 (1:55)

far reaches contains two of my compositions, star_birth (solo percussion*) and Heap (solo percussion** and real-time three-dimensional, high-definition, computer-generated sound).

* percussion: Justin Alexander | ** percussion/computer: Nathaniel Bartlett

Formats: A | B | C | D
Listen | star_birth: CD-quality excerpt (0:00 - 5:00)
Listen | Heap: CD-quality excerpt (2:21 - 7:21)

This album will feature a new work for marimba; real-time three-dimensional, high-definition, computer-generated sound; and real-time computer notation processing; entitled (((clang))) (written for a sculpture exhibition by Andrée Valley).

This album will feature two new works for marimba; real-time three-dimensional, high-definition, computer-generated sound; and real-time computer notation processing entitled time-space-place (written for a video composition by Toby Kaufmann-Buhler) and leading edge disturbances (written for Katherine Helen Fisher Dance). In between these two works will be a new acoustic work, entitled dark matter, for marimba and percussion, performed by Nathaniel Bartlett (marimba) and Justin Alexander (percussion).